The Tom Howard Poetry Contest for all styles & genres
The Margaret Reid Poetry Prize for Traditional Verse
What is traditional? The judges' definition is loose rather than strict. We quote two poems from Margaret's book:
This page provides information on
The Tom Howard Poetry Contest
for all styles and genres
and
The Margaret Reid Poetry Prize
for Traditional Verse
What do we mean by "traditional" verse? In short, one qualification is poetry that looks like poetry, not prose. Fox example:
love is a book
a hopeful dream
a tide of delight
or a gallant search
for sorrows unseen
Now that little verse of mine may not be good poetry. And traditionalists might well object to the absence of capitals and lack of any punctuation marks. But it looks like poetry, and therefore it is acceptable as an entry for the Margaret Reid Poetry Prize.
Another way of looking at "traditional" is to think of poetic styles and genres that have been fashionable for at least 50 years or more. This would include free verse. Here is a poem by Margaret Reid herself, taken from her book, "Song of the Wayward Wind":
LOVE
SONG
Yes, my love, I hear,
of course I hear...
Your
meaning gossamers
across pauses
wraps
around your words
its sweetest nectar
and my spirit dances
dances
through green valleys
dances
in
the springtime chorus
of
your meaning
dances white orchards
of delight.
Yes,
my love, I hear. I hear
between your words
rich symphonies
And
in the silent reach of mind,
I walk with you
through stars.
However, experimental forms are also welcome. The criteria once again is that the verse form must look like poetry, and (unless it has at least a whiff of poetic imagination) not have the appearance of a block of prose.
Here is another poem from Margaret's book, "Song of the Wayward Wind":
She whose holy realm transcends the sun,
Whose light can penetrate the darkest gloom,
Can fire with hope the most downtrodden one,
Can speak to quickened ears, or from the tomb.
The most enlightened souls from Time's slow
mill,
Attending to her promptings all their days,
Still speak through scrolls and books to waiting hearts;
Their inspiration breathes; their fires still blaze.
Young David heard her singing on the hill,
Inscribed her songs of love. We hear them still.
For where she walks, her music ne'er departs.
Now there's verse that's really traditional! It has a churchy flavor too, because Margaret is talking about the Holy Spirit. However, while religious poetry is certainly highly acceptable, I would point out that it's difficult to write without seeming flat or cliched. "Akeldama" by Peter Moltoni (included in the anthology, "Sailing in the Mist of Time") is an excellent example of forceful religious verse.
To refine my point that even a poem that has the initial appearance of a block of prose, will still be accepted for this Contest so long as it displays even the minutest inkling of poetic imagination in imagery and/or language, here is one of mine. The subject is the famous painting, "Toledo" by El Greco:
Toledo! So starkly vivid in its nightmarish virtuosity;
Or shall I choose A Lady so beautiful in melancholy?
Toledo! His mirror image of a soul grounded in hell or
A Lady whose eyes capture serenity's sad sweet spell--
Or perhaps merely soft burdens of lost youth? In truth
A Lady demands a graceful charity, her benign attempt
To elicit sympathy is almost painful in her silent rebuke
of Age, her cherished yet seductive secretive swoon of
a smile forever ponders The Greek's intention to flatter
or detract, to revive sighs, or ignite a non-existent love.
In short, about the only new verse forms that
will not be accepted for the Margaret Reid Prize are prose poems or storoems.
And the good news is that in the rare event the judges feel your entry does not
qualify as "traditional", it will not be rejected but simply
transferred to the Tom Howard Poetry Contest instead.
SAILING IN THE MIST OF TIME is our fourth and very latest Anthology of Prize-Winning Poetry. Containing over 100 winning entries from both the Margaret Reid and Tom Howard Poetry Contests, this beautiful book normally costs only $16.50! That in itself is a bargain, but in a special promotion, Amazon and other online bookstores currently have this large-format, 194-page book on sale for a mere $9.95! The book is also available direct from the publisher for $16.50: http://www.lulu.com/filmindex
As noted above, the trade edition is now on sale in bookstores throughout the U.S.A., Canada and Great Britain.

"Traveling" and "Across the Long Bridge" our second and third Anthologies of Award-Winning Poems are available at Lulu and are also on sale at Amazon, Barnes & Noble and other leading booksellers. You will find a "Traveling" link for Amazon at the bottom of this page. To buy direct from the publisher, please use this link:
Absolute-must reading for all competition contestants! A new edition of my famous handbook "WRITE WAYS TO WIN WRITING CONTESTS: How to Join the Winners' Circle for Short Story Awards, Poetry Prizes, etc." is now available direct from Lulu at http://www.lulu.com/filmindex

Price is $14.80 for this edition. The normal trade edition is also now available. Buy from Amazon, Barnes and Noble and other bookstores. Same price. You can click on the Amazon link below. What's $14.80 compared to increasing your chances of carrying off that $2,000 in cash First Prize?
The 5th annual Margaret Reid Poetry Prize for Traditional Verse is now open. A total of $5,250 will be awarded in prize-money for traditional verse as follows:
First Prize: $2,000. Second: $1,000. Third: $500. Fourth: $250. Plus five High Distinction Awards of $200 each. Plus five Highly Commended Awards of $100 each. Fourteen cash awards in all, including that First Prize of $2,000.
Grand total: $5,250.
Song of the Wayward Wind is now on sale at Amazon and leading booksellers and also direct from the publisher at http://www.lulu.com/filmindex
The Margaret Reid Poetry Prize for Traditional Verse is now open. Closing date: June 30, 2008. For full details and online submission and mailing address: http://winningwriters.com/contests/margaret/ma_guidelines.php
Total Prize money: $5,250 (as listed above).
Entry fee: $6 for every 25 lines (or part thereof). Blank lines and titles are not counted.
VERY FEW RESTRICTIONS
Send as many poems as you like. No restrictions on length or subject matter. Poems must be your original work, but previously published poems and poems that have won prizes in other contests are welcome. "Traditional Verse" is loosely defined, and includes free verse, haiku and most other popular forms except prose poems and storoems. In other words, your entries should look like poetry (or like any of the 106 winning and commended poems published in "SAILING IN THE MIST OF TIME").
Entry forms are not necessary, but by entering this contest you agree to abide by all its conditions. Decisions by the chief judge are final.
Winners retain all rights and are free to accept or decline offers of free print publication in an anthology similar to SAILING IN THE MIST OF TIME, featured above.
Entries
must be postmarked on or before June 30, 2008, or lodged online before
midnight, June 30, 2008, Pacific Time.
Online submission using your credit card or PayPal is available at Winning Writers. Please use this link: http://www.winningwriters.com/contests/margaret/ma_guidelines.php
Postal submissions may be sent to Winning Writers, Attention Margaret Reid Contest, 351 Pleasant Street, PMB 222, Northampton, MA 01060-3961, USA. The entry fee of US$6 for every 25 lines may be paid by check (payable to Winning Writers at a USA bank), cash, or money order
Chief judge: John Howard Reid. Associate judge: Dee C. Konrad.
The Tom Howard Poetry Contest
The 6th annual Tom Howard Poetry Contest is now open. This contest will accept all styles and genres of poetry and verse, including prose poems, storoems, etc. The prize money for the 6th Contest will be distributed as follows:
First Prize: $2,000. Second: $1,000. Third: $500. Fourth: $250. Plus five High Distinction Awards of $200 each. Plus five Highly Commended Awards of $100 each. Fourteen cash awards in all, including a First Prize of $2,000.
Grand total: $5,250.
In short, this Contest is a Premier Literary Competition for Original Creative Writing in Poetry or Verse in any Style and on any Theme.
The 6th Contest will award US$5,250 in Cash Prizes.
Closing date: September 30, 2008
Entries may be submitted online at http://winningwriters.com/contests/tompoetry/tp_guidelines.php
Visit the above site for email, PayPal and snail mail options.
Entry forms are not required for this Contest, however, by entering you agree to abide by the judge's decisions, and that those decisions are final. If you win a cash prize you agree to allow Winning Writers to publish your poem online. You will also be offered free print publication in an anthology similar to SAILING IN THE MIST OF TIME, featured above. You are under no obligation to accept this free offer.
Although Prize Money for the 6th Contest has been substantially increased, Entry Fees will remain at US$6 for every 25 lines (or part thereof).
There is no maximum limit on the number of lines (or number of entries) you may submit.
ALL TYPES AND GENRES OF POETRY ARE ACCEPTED
NO RESTRICTIONS ON PREVIOUS PUBLICATION
PRIZE-WINNERS FROM OTHER CONTESTS WELCOME
(SO LONG AS YOU HAVE RETAINED ONLINE PUBLICATION RIGHTS)
Please note that the entry fee of US$6 per 25 lines is calculated on the total number of lines. (Headings and spaces are not counted). If you submit two short poems, one of ten lines and one of 14 lines, the total fee is US$6. If, however, you submit two sonnets (14 lines each), the fee is US$12. If you submit one long poem of 180 lines, the fee is US$48.
The prizes are pegged in U.S. dollars. Prizes will be paid in other currencies (if required) at equivalent rates of exchange.
The chief judge of all entries in the Contest is John Howard Reid. Associate judge is Professor D.C. Konrad.
4th Annual Margaret Reid Prize for Traditional Verse
RESULTS
First Prize: $1,000. On the Border by Johnmichael Simon
Ten High Distinction Awards of $100 each (random order):
Winterscape by Rollin Lasseter
A Crown of Sonnets on Euphronios Krater by Gretchen Fletcher
Night in the North by Helen Bar-Lev
The Winter of Our Discontent by Brian Bentley
To This Coy Universe by Joseph A. Soldati
Madame Sosistris by Noble Collins
Old Stones by Noble Collins
Charlie Plays the Ukelele by Noble Collins
Risking the Road by Cynthia Rausch Allar
Lollipop Lullaby by Johnmichael Simon
Ten Highly Commended Awards of $70 each (random order):
Holding to Seasons by Laurence Thomas
Jumping in Puddles by Phyllis Jean Green
Hill by Tom Berman
Galilee Spring by Tom Berman
Akeldama by Peter Moltoni
Embarcadero by Ginny Kaczmarek
Piggyback by Rollin Lasseter
If You Had Seen Me in the Spring by Brian Bentley
The Camel Rider by Louise Burrelli
On the Road to Santa Fe by Rod Nichols
Thirty Commended Awards of $50 each (random order):
The Burden and the Grail by Peter Moltoni
Ballad of Eve Arden by Melissa Altenderfer
8 haiku by Joseph Sherman
She Swish and Sway by Jeff Howe
Nowhere Passed by Jeff Howe
Questions by Tom Berman
Becoming Joey by Paul Gorski
The Kites of the Poet by Deana David
African Sunbeat by Meryl Raw
Maiden Voyage by Graham Vivian Lancaster
The Window by Joe McDonald
The Fiddler of Kumsong by Jaime Courtney
Childhood Memories (A Reflection of New Orleans Life) by Dayna Collins
Thaddeus Amos Inebriated Brown by Noble Collins
Flowers by Aliene Pylant
Agamemnon by John Manesis
Rachel's Eulogy for Her Grandmother by Ruth Fogelman
The Argosies by James Facos
Clear Cut by Christina Lovin
Doing Joined-Up by Pat Earnshaw
Puppet Without Strings by Pat Earnshaw
The Sound of Yellow by Joyce Meyers
Celtic Harp by Page Hudson
Come At Dusk by Theresa Cocolin
After Radiation by Frank Salvidio
His Study by Frank Salvidio
In His Own Voice by Tim Napier
Lonely Young Forester Chasing All Night by Robert M. Shelby
Colorado Boulevard, Late On A Rainy Saturday Night by Jane D. Carpenter
Mothering Shirley by M.B. Powell
Short-Listed:
Darken Our Lightness by Pat Earnshaw
Event Horizon by Christina Lovin
Monet's Diary by Christina Lovin
Watching War Veterans in the March of Time by Fred Kruger
Facing Alzheimer's by Fred Kruger
The Ten Commandments by Ian Thornley
Hitler, Freud and Jesus by Robert Russell Marquardt
What If by Robert Russell Marquardt
I Praise All Vacuum Cleaners by John McBride
Wintry Fashion by Bessie Michael
The Trouble With Life by Jacquelyn W. Lansing
A Certain Joy by Linda Lee Albert
For the Last One by Anthony Russell White
Oregon Morning by Art Schwartz
The Waif and Stray in All of Us by Mike Scheidemann
Circa 1902 by Elizabeth Kuzara
Sweet Parsley by Cynthia Lelos
Witness of the Past by Edilson Alfonso Ferreira
The Curse by Judith Goldhaber
One Word by Linda J. Browne
All the Rage by Lynn Sadler
The Hammock by James Gray
Marigolds by Carol Kanter
The Sculptor by E. Shaun Russell
Landscape by Nat Forcier
White Lotus by Kaimana Wolff
Left Eye by Arthur Leung
Commacide by Jane D. Carpenter
The Motionless Priest of Shaolin by Robert M. Shelby
Mr Collins Gets Pissy About Modern Poetry by Tim Napier
All That Remains Is To Sign the Papers by Ginna Wilkerson
Seasons by Nina Bayer
Janna Marlow by Lucille Gang Skulklapper
Cease Fire by Lucille Gang Skulklapper
The Divine Game by Michael Howard
Stormchild by Mary Travis
Jewel by Cheryl Nance
Amber Hunting by Rhomas E. Kennedy
deus ex machina: about turns by Kon Desmond
Secrets of Abayas by Joyce La Mers
8 haiku by Juanita J. Martin
8 haiku by Darrell Lindsey
Sardanapalus by Eric Martin
The Other Side of This Fire by Brenda Ackerman
The One Less Traveled By by John W. Crawford
Spatial by Juanita Paulino
Sonnets 1-5 by Carl Winderl
Monster Wears a Crown by Mikaela Raquel Williams
six haiku by Lauen Lee
Interior Design by Cristina Ferrari-Logan
Faith by Termaine A. Lytle
The Wrong Song by John Manesis