The Tom Howard Poetry Contest for all styles & genres 

The Margaret Reid Poetry Prize for Traditional Verse

What is traditional? The judges' definition is loose rather than strict. We quote two poems from Margaret's book:

 

This page provides information on 

The Tom Howard Poetry Contest 

for all styles and genres

and

The Margaret Reid Poetry Prize 

for Traditional Verse

 

What do we mean by "traditional" verse? In short, one qualification is poetry that looks like poetry, not prose. Fox example:

love is a book

a hopeful dream

a tide of delight

or a gallant search

for sorrows unseen

Now that little verse of mine may not be good poetry. And traditionalists might well object to the absence of capitals and lack of any punctuation marks. But it looks like poetry, and therefore it is acceptable as an entry for the Margaret Reid Poetry Prize.

Another way of looking at "traditional" is to think of poetic styles and genres that have been fashionable for at least 50 years or more. This would include free verse. Here is a poem by Margaret Reid herself, taken from her book, "Song of the Wayward Wind":

 

LOVE SONG

 

  Yes, my love, I hear,

      of course I hear...

Your meaning gossamers

        across pauses

wraps around your words

     its sweetest nectar

     and my spirit dances

              dances

    through green valleys

              dances

 in the springtime chorus

       of your meaning

   dances white orchards

            of delight.

 Yes, my love, I hear. I hear

     between your words

        rich symphonies

And in the silent reach of mind,

         I walk with you

           through stars.

 

So here is another way of looking at "traditional". Poetry that uses repetition or some other formal or informal pattern that could involve rhyme, meter, length of line, or even simply the way the lines of verse are positioned! 

However, experimental forms are also welcome. The criteria once again is that the verse form must look like poetry, and (unless it has at least a whiff of poetic imagination) not have the appearance of a block of prose.

Here is another poem from Margaret's book, "Song of the Wayward Wind":

Ode to Wisdom

She whose holy realm transcends the sun,

Whose light can penetrate the darkest gloom,

Can fire with hope the most downtrodden one,

Can speak to quickened ears, or from the tomb.

The most enlightened souls from Time's slow mill,

Attending to her promptings all their days,

Still speak through scrolls and books to waiting hearts;

Their inspiration breathes; their fires still blaze.

Young David heard her singing on the hill,

Inscribed her songs of love. We hear them still.

For where she walks, her music ne'er departs.

 

Now there's verse that's really traditional! It has a churchy flavor too, because Margaret is talking about the Holy Spirit. However, while religious poetry is certainly highly acceptable, I would point out that it's difficult to write without seeming flat or cliched. "Akeldama" by Peter Moltoni (included in the anthology, "Sailing in the Mist of Time") is an excellent example of forceful religious verse. 

To refine my point that even a poem that has the initial appearance of a block of prose, will still be accepted for this Contest so long as it displays even the minutest inkling of poetic imagination in imagery and/or language, here is one of mine. The subject is the famous painting, "Toledo" by El Greco:

 

Toledo! So starkly vivid in its nightmarish virtuosity;

Or shall I choose A Lady so beautiful in melancholy?

Toledo!   His mirror image of a soul grounded in hell or

A Lady whose eyes capture serenity's sad sweet spell--

Or perhaps merely soft burdens of lost youth?  In truth

A Lady demands a graceful charity, her benign attempt

To elicit sympathy is almost painful in her silent rebuke

of Age, her cherished yet seductive secretive swoon of

a smile forever ponders The Greek's intention to flatter

or detract, to revive sighs, or ignite a non-existent love.

 

In short, about the only new verse forms that will not be accepted for the Margaret Reid Prize are prose poems or storoems. And the good news is that in the rare event the judges feel your entry does not qualify as "traditional", it will not be rejected but simply transferred to the Tom Howard Poetry Contest instead.    

        

 

SAILING IN THE MIST OF TIME is our fourth and very latest Anthology of Prize-Winning Poetry. Containing over 100 winning entries from both the Margaret Reid and Tom Howard Poetry Contests, this beautiful book normally costs only $16.50! That in itself is a bargain, but in a special promotion, Amazon and other online bookstores currently have this large-format, 194-page book on sale for a mere $9.95! The book is also available direct from the publisher for $16.50: http://www.lulu.com/filmindex

As noted above, the trade edition is now on sale in bookstores throughout the U.S.A., Canada and Great Britain. 

 

 

 

 

"Traveling" and "Across the Long Bridge" our second and third Anthologies of Award-Winning Poems are available at Lulu and are also on sale at Amazon, Barnes & Noble  and other leading booksellers. You will find a "Traveling" link for Amazon at the bottom of this page. To buy direct from the publisher, please use this link:

http://www.lulu.com/filmindex

 

 

 

 

Absolute-must reading for all competition contestants! A new edition of my famous handbook "WRITE WAYS TO WIN WRITING CONTESTS: How to Join the Winners' Circle for Short Story Awards, Poetry Prizes, etc." is now available direct from Lulu at http://www.lulu.com/filmindex 

Price is $14.80 for this edition. The normal trade edition is also now available. Buy from Amazon, Barnes and Noble and other bookstores. Same price. You can click on the Amazon link below. What's $14.80 compared to increasing your chances of carrying off that $2,000 in cash First Prize?

 

 

The 5th annual Margaret Reid Poetry Prize for Traditional Verse is now open. A total of $5,250 will be awarded in prize-money for traditional verse as follows: 

First Prize: $2,000. Second: $1,000. Third: $500. Fourth: $250. Plus five High Distinction Awards of $200 each. Plus five Highly Commended Awards of $100 each. Fourteen cash awards in all, including that First Prize of $2,000.

Grand total: $5,250.

 

Song of the Wayward Wind is now on sale at Amazon and leading booksellers and also direct from the publisher at http://www.lulu.com/filmindex

 

 

The Margaret Reid Poetry Prize for Traditional Verse is now open. Closing date: June 30, 2008. For full details and online submission and mailing address: http://winningwriters.com/contests/margaret/ma_guidelines.php

Total Prize money: $5,250 (as listed above).

Entry fee: $6 for every 25 lines (or part thereof). Blank lines and titles are not counted.

VERY FEW RESTRICTIONS 

Send as many poems as you like. No restrictions on length or subject matter. Poems must be your original work, but previously published poems and poems that have won prizes in other contests are welcome. "Traditional Verse" is loosely defined, and includes free verse, haiku and most other popular forms except prose poems and storoems. In other words, your entries should look like poetry (or like any of the 106 winning and commended poems published in "SAILING IN THE MIST OF TIME").   

 

Entry forms are not necessary, but by entering this contest you agree to abide by all its conditions. Decisions by the chief judge are final. 

 

Winners retain all rights and are free to accept or decline offers of free print publication in an anthology similar to SAILING IN THE MIST OF TIME, featured above. However, you must agree to publication of your winning entry on the Winning Writers website.

 

Entries must be postmarked on or before June 30, 2008, or lodged online before midnight, June 30, 2008, Pacific Time.

 

Online submission using your credit card or PayPal is available at Winning Writers. Please use this link: http://www.winningwriters.com/contests/margaret/ma_guidelines.php

 

 

Postal submissions may be sent to Winning Writers, Attention Margaret Reid Contest, 351 Pleasant Street, PMB 222, Northampton, MA 01060-3961, USA. The entry fee of US$6 for every 25 lines may be paid by check (payable to Winning Writers at a USA bank), cash, or money order

 

 

Chief judge: John Howard Reid. Associate judge: Dee C. Konrad. 

   

 

     

The Tom Howard Poetry Contest

The 6th annual Tom Howard Poetry Contest is now open. This contest will accept all styles and genres of poetry and verse, including prose poems, storoems, etc. The prize money for the 6th Contest will be distributed as follows: 

First Prize: $2,000. Second: $1,000. Third: $500. Fourth: $250. Plus five High Distinction Awards of $200 each. Plus five Highly Commended Awards of $100 each. Fourteen cash awards in all, including a First Prize of $2,000.

Grand total: $5,250.

 

   

In short, this Contest is a Premier Literary Competition for Original Creative Writing in Poetry or Verse in any Style and on any Theme. 

The 6th Contest will award US$5,250 in Cash Prizes.

Closing date: September 30, 2008

Entries may be submitted online at http://winningwriters.com/contests/tompoetry/tp_guidelines.php

Visit the above site for email, PayPal and snail mail options. 

 

Entry forms are not required for this Contest, however, by entering you agree to abide by the judge's decisions, and that those decisions are final. If you win a cash prize you agree to allow Winning Writers to publish your poem online. You will also be offered free print publication in an anthology similar to SAILING IN THE MIST OF TIME, featured above. You are under no obligation to accept this free offer.

Although Prize Money for the 6th Contest has been substantially increased, Entry Fees will remain at US$6 for every 25 lines (or part thereof).

There is no maximum limit on the number of lines (or number of entries) you may submit.

ALL TYPES AND GENRES OF POETRY ARE ACCEPTED

NO RESTRICTIONS ON PREVIOUS PUBLICATION

PRIZE-WINNERS FROM OTHER CONTESTS WELCOME

(SO LONG AS YOU HAVE RETAINED ONLINE PUBLICATION RIGHTS)

 

Please note that the entry fee of US$6 per 25 lines is calculated on the total number of lines. (Headings and spaces are not counted). If you submit two short poems, one of ten lines and one of 14 lines, the total fee is US$6. If, however, you submit two sonnets (14 lines each), the fee is US$12. If you submit one long poem of 180 lines, the fee is US$48. 

 

The prizes are pegged in U.S. dollars. Prizes will be paid in other currencies (if required) at equivalent rates of exchange.

The chief judge of all entries in the Contest is John Howard Reid. Associate judge is Professor D.C. Konrad.

 

4th Annual Margaret Reid Prize for Traditional Verse

 

RESULTS

 

   First Prize: $1,000. On the Border by Johnmichael Simon

  Second Prize: $400. Spinning Pearls by Sally Odgers

  Third Prize: $200. Uncovered by Cynthia Rausch Allar

 

  The following winning poems are included in the current anthology, SAILING IN THE MIST OF TIME: On the Border, Spinning Pearls, Uncovered, Risking the Road, Holding to Seasons, Akeldama, A Crown of Sonnets on Euphronios Krater, The Winter of Our Discontent, If You Had Seen Me in the Spring, To This Coy Universe, Madame Sosistris, Old Stones, Charlie Plays the Ukelele, Hill, Galilee Spring, Embarcadero, The Camel Rider, On the Road to Santa Fe, Night in the North.   

 

Ten High Distinction Awards of $100 each (random order):

 

Winterscape by Rollin Lasseter

A Crown of Sonnets on Euphronios Krater by Gretchen Fletcher

Night in the North by Helen Bar-Lev

The Winter of Our Discontent by Brian Bentley

To This Coy Universe by Joseph A. Soldati

Madame Sosistris by Noble Collins

Old Stones by Noble Collins

Charlie Plays the Ukelele by Noble Collins

Risking the Road by Cynthia Rausch Allar

Lollipop Lullaby by Johnmichael Simon

 

Ten Highly Commended Awards of $70 each (random order):

 

Holding to Seasons by Laurence Thomas

Jumping in Puddles by Phyllis Jean Green

Hill by Tom Berman

Galilee Spring by Tom Berman

Akeldama by Peter Moltoni

Embarcadero by Ginny Kaczmarek

Piggyback by Rollin Lasseter

If You Had Seen Me in the Spring by Brian Bentley

The Camel Rider by Louise Burrelli

On the Road to Santa Fe by Rod Nichols

 

 

Thirty Commended Awards of $50 each (random order):

 

The Burden and the Grail by Peter Moltoni

Ballad of Eve Arden by Melissa Altenderfer

8 haiku by Joseph Sherman

She Swish and Sway by Jeff Howe

Nowhere Passed by Jeff Howe

Questions by Tom Berman

Becoming Joey by Paul Gorski

The Kites of the Poet by Deana David

African Sunbeat by Meryl Raw

Maiden Voyage by Graham Vivian Lancaster

The Window by Joe McDonald

The Fiddler of Kumsong by Jaime Courtney

Childhood Memories (A Reflection of New Orleans Life) by Dayna Collins

Thaddeus Amos Inebriated Brown by Noble Collins

Flowers by Aliene Pylant

Agamemnon by John Manesis

Rachel's Eulogy for Her Grandmother by Ruth Fogelman

The Argosies by James Facos

Clear Cut by Christina Lovin

Doing Joined-Up by Pat Earnshaw

Puppet Without Strings by Pat Earnshaw

The Sound of Yellow by Joyce Meyers

Celtic Harp by Page Hudson

Come At Dusk by Theresa Cocolin

After Radiation by Frank Salvidio

His Study by Frank Salvidio

In His Own Voice by Tim Napier

Lonely Young Forester Chasing All Night by Robert M. Shelby

Colorado Boulevard, Late On A Rainy Saturday Night by Jane D. Carpenter

Mothering Shirley by M.B. Powell

 

 

 

Short-Listed:

 

Darken Our Lightness by Pat Earnshaw

Event Horizon by Christina Lovin

Monet's Diary by Christina Lovin

Watching War Veterans in the March of Time by Fred Kruger

Facing Alzheimer's by Fred Kruger

The Ten Commandments by Ian Thornley 

Hitler, Freud and Jesus by Robert Russell Marquardt

What If by Robert Russell Marquardt

I Praise All Vacuum Cleaners by John McBride

Wintry Fashion by Bessie Michael

The Trouble With Life by Jacquelyn W. Lansing

A Certain Joy by Linda Lee Albert

For the Last One by Anthony Russell White

Oregon Morning by Art Schwartz

The Waif and Stray in All of Us by Mike Scheidemann

Circa 1902 by Elizabeth Kuzara

Sweet Parsley by Cynthia Lelos

Witness of the Past by Edilson Alfonso Ferreira

The Curse by Judith Goldhaber

One Word by Linda J. Browne

All the Rage by Lynn Sadler

The Hammock by James Gray

Marigolds by Carol Kanter

The Sculptor by E. Shaun Russell

Landscape by Nat Forcier

White Lotus by Kaimana Wolff

Left Eye by Arthur Leung

Commacide by Jane D. Carpenter

The Motionless Priest of Shaolin by Robert M. Shelby

Mr Collins Gets Pissy About Modern Poetry by Tim Napier

All That Remains Is To Sign the Papers by Ginna Wilkerson

Seasons by Nina Bayer

Janna Marlow by Lucille Gang Skulklapper

Cease Fire by Lucille Gang Skulklapper

The Divine Game by Michael Howard

Stormchild by Mary Travis

Jewel by Cheryl Nance

Amber Hunting by Rhomas E. Kennedy

deus ex machina: about turns by Kon Desmond

Secrets of Abayas by Joyce La Mers

8 haiku by Juanita J. Martin

8 haiku by Darrell Lindsey

Sardanapalus by Eric Martin

The Other Side of This Fire by Brenda Ackerman

The One Less Traveled By by John W. Crawford

Spatial by Juanita Paulino

Sonnets 1-5 by Carl Winderl

Monster Wears a Crown by Mikaela Raquel Williams

six haiku by Lauen Lee

Interior Design by Cristina Ferrari-Logan

Faith by Termaine A. Lytle

The Wrong Song by John Manesis